“When a painter paints water, they are studying the in-between of things. Monet’s depiction of water reflections heralded a new way to think about brushwork and painting. Water was the catalyst for this emerging technique. It was such compelling work that the formerly all-powerful French art institution L’Académie des Beaux Arts, which initially rejected these paintings, saw its influence decline as the impressionist movement eventually gained enormous popularity, leaving its detractors in the dust. This was the start of a groundbreaking artistic movement eventually dubbed “impressionism,” which tossed out long-cherished rules about precision and realism in art and ushered in an era that instead valued an artist’s individual perception. Monet and Renoir painted the same subject from almost the same perspective, but their canvases showed very different depictions. The water changed minute-by-minute, hour-by-hour as the sun sank and shadows dappled the river’s surface. In short, quick brushstrokes, the two artists captured the play of sunlight on the water and Parisians enjoying the idyllic surroundings. In the summer afternoons of 1869, Claude Monet and Pierre-Auguste Renoir set up their easels overlooking La Grenouillère (The Frog Pond), a picturesque outdoor floating bar and restaurant on the River Seine, not far from Paris. USC-Huntington Early Modern Studies Institute Shinso Ito Center for Japanese Religions and Culture Max Kade Institute for Austrian-German-Swiss Studies Huntington-USC Institute on California and The West Casden Institute for the Study of the Jewish Role in American LifeĬenter for Islamic Thought, Culture and PracticeĬenter for Latinx and Latin American Studies
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